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Archive
H.E.R.'s Volume 1 and March Comes in Like a Lion: The Volume of Silence
H.E.R.’s Volume 1 is a contemporary R&B album that revolutionized the idea of anonymity in music, emphasizing raw emotion and vulnerability. The self-titled album strips back the façade of fame to present a series of tracks that convey the complexity of love and self-discovery. On a parallel plane, the anime and manga series March Comes in Like a Lion, created by Chica Umino, tells the story of a young shogi player who grapples with depression and loneliness, seeking connection and meaning within his internal silence.
Erykah Badu's New Amerykah Part Two: Return of the Ankh and Magi: The Labyrinth of Magic: The Return to the Magical World
Erykah Badu's New Amerykah Part Two: Return of the Ankh is an iconic album that blends soulful rhythms with introspective lyrics, diving deep into themes of love, self-worth, and societal challenges. In parallel, Magi: The Labyrinth of Magic takes us on a fantastical journey through a rich world filled with magic, adventure, and the quest for self-identity. Both masterpieces use their respective art forms to explore and expose the raw emotions that drive humanity.
YG's Blame It On The Streets and Tokyo Revengers: Blaming the Streets
YG's "Blame It On The Streets" is a raw soundtrack album that accompanies a short film of the same name, revealing the gritty and unapologetic narratives from the urban landscape of Compton. "Tokyo Revengers," on the other hand, is a gripping anime and manga series that explores the life of a young man who time-travels to his delinquent days to save his friends and alter their fates. This issue of VerseTakue peels back the layers of these seemingly disparate artworks to uncover the common ground where music and visual storytelling collide.
The Weeknd's House of Balloons and Castle in the Sky: Floating Through Dreams
Imagine soaring through a dreamscape where the gravity of reality is as faint as a whisper, the lines between waking life and fantasy blur into one. This is the realm we enter when we merge The Weeknd's enigmatic R&B masterpiece, House of Balloons, with Studio Ghibli's whimsical and adventurous Castle in the Sky. In this edition of VerseTaku, we embark on an odyssey that reveals the shared spirit of these two seemingly disparate works.
Rihanna's Rated R and Tokyo Ghoul: The Rated R Reality of Existence
The 2009 album Rated R by Barbadian singer Rihanna marked a departure from her earlier work, presenting a darker, more introspective side in response to her real-life experiences. Similarly, the manga and anime series Tokyo Ghoul, written by Sui Ishida, delves into the dark recesses of its characters' psyches as they grapple with their identities in a world where humans coexist with human-like creatures who need flesh to survive.
2Pac's Loyal to the Game and Hajime no Ippo: Loyalty in the Ring
2Pac's "Loyal to the Game" album, posthumously released and replete with raw, personal introspection, reflects a complex interplay of struggle, resilience, and loyalty. It's a visceral body of work that pushes the listener into the artist's world of loyalty to self and to one's roots, despite the adversities of life.
Anderson .Paak's Venice and Amanchu!
On the sun-drenched shores of sound resides Anderson .Paak's Venice, an album replete with the zest of coastal life and an exploration of identity amidst changing tides. Across the ocean, we skim the calm sea surface of Amanchu!, a manga and anime series that plunges into the tranquility of youth and discovery in a seaside town in Japan, akin to the famed Italian city of canals. Both works invite us to dive deep beneath the surface, seeking treasures of self and connection.
Vince Staples' Big Fish Theory and Grand Blue: Diving into the Big Blue
Vince Staples' Big Fish Theory is an album that weaves a tapestry of cutting social commentary with an exploration of personal identity and the human condition set to a backdrop of experimental hip-hop. The 2017 release pushed the boundaries of the genre with its electronic and avant-garde infusion.
Lil Wayne's Funeral and Death Parade: The Final Farewell
Lil Wayne’s album Funeral serves as a metaphorical contemplation on endings and the legacies left behind. With its release in 2020, Wayne adds to an illustrious career that refuses to be confined to a singular narrative. In a similar vein, the anime Death Parade (2015) captivates audiences with its exploration of the afterlife, challenging our perceptions of justice and human nature. At first glance, a hip-hop album and a Japanese anime may seem worlds apart, yet both are thematically intertwined through their examination of mortality and the finality that is death.
Alicia Keys's As I Am and Your Lie in April: Being True to Oneself
In a world where music orchestrates the rhythm of reality and anime paints the canvas of the soul, we find ourselves at the intersection of sound and vision with Alicia Keys's "As I Am" and the poignant narrative of "Your Lie in April". Both creations dance a delicate ballet of self-discovery and sincerity, invoking a journey that whispers the truths of the human spirit.
Young Thug's Barter 6 and Spice and Wolf: The Art of the Barter
Young Thug's "Barter 6" is a unique and influential mixtape from the Atlanta rapper, dropped into the world of hip-hop in 2015. It challenges genre boundaries and offers a narrative of growth, hustle, and the complexities of street life. With its ambient beats and Thug's distinctive vocal style, it's a journey through the psyche of a man navigating a cut-throat economy.
Young Thug's Slime Language and Parasyte: The Language of Slime
Slime Language, an album by the enigmatic and genre-defying artist Young Thug, is not just a collection of tracks but a linguistic mosaic painted with the themes of identity, kinship, and evolution. The album traverses the landscape of modern hip-hop with beats that stick and lyrics that provoke.